LET'S COME HOME A LITTLE DIFFERENT // SOUND SAUNA
Sound Sauna in the framework of SYMPOIETIC SYMPHONY / KLANGMANIFESTE FESTIVAL in collaboration with KOLLEKTIV RISS.
Symposium Lindabrunn, Austria, 2022
Music for the Video by Bryndís Björnsdóttir, presented in the exhibition NONE THE WISER at WONNERTH DEJACO gallery, Vienna.
TAKE ME TO THE AIRPORT, YOU FUTURISTIC CREATURES is an interdisciplinary performance involving sound, video projection and dance. During her residency at Zaratan Arte Contemporânea in Lisbon, Golden Diskó Ship created a new, 13 minute long 4 channel sound
Alsongside with multiple video projections and
4 mysterious performers she turned the angly
rooms of the art space into a live sound and
Lisbon, November 2021
Two icons of Rome brought together in the imagination through architecture, poetry, and music tracks: The Boxer at Rest, a rare ancient bronze excavated on the south side of the Quirinal Hill in Rome in 1885, and the Palazzetto dello Sport, built out of prefabricated parts by Pier Luigi Nervi for the 1960 Olympic Games.
This book with CD documents the collaboration of the Rome Prize winners Sabine Scho, Sebastian Felix Ernst, and Golden Diskó Ship, and is being produced by the Deutsche Akademie Rom Villa Massimo.
Hatje Cantz Verlag, 2021
Released October 8, 2021
Improvisational dialogue with Oh No Noh for the series Oh No Noh Radioh on Sphere Radio Leipzig: Experimental concepts in musical dialogues with changing guests.
Leipzig, June 2021
Sound for Bryndís' Björnsdóttir's exhibition at SIM Gallery, Reykjavík, Iceland.
Sound and poetry piece for the landscape opera SIGNAL AM DACHSTEIN at the Dachstein glacier, Austria, in collaboration with Christoph Szalay.
Jingle for the antiquarian bookshop podcast by Sabine Scho and Michael Solder.
Remix of Red On's Track Waters, out on transparent vinyl on Verydeeprecords.
Music and sound design for the installation and book out on Hatje&Cantz 2021 inspired by the ancient boxer's scuplture found in Rome's Quirinal hill and the Palazzetto dello Sport arena by the Italian architect Pier Luigi Nervi.
In collaboration with Sabine Scho, Sebastian Felix Ernst and Andreas Töpfer.
Villa Massimo, Rome, Februar 2020
Photo: Sabine Scho, Museo Nazionale Roma Palazzo Massimo
This band was born during my residency in India organized by Musicboard Berlin, Goethe Institut Kolkata and Border Movement Delhi in 2018.
Hotel Kali are Suyasha SenGupta (Electronics, Vocals, Guitar), Debjit Mahalanobis (Double Bass), Varun Desai (Synths and Drum Machines) and myself on viola, guitar, vocals and electronics.
The LP was released in May 2021 on Antime Records
Sound for Bryndís Björnsdóttir's video "Residue"
Hilbertraum, Berlin, January 2020
Collaborative Driving Performance and interventions with Anja Ibsch and Teena Lange/Grüntaler 9.
Pixxelpoint Festival, Nova Gorica, Slovenia, November 2019
Music and Sound Design for the Podcast of SPEX. MAGAZIN FÜR POPKULTUR.
In collaboration with Jana Sotzko.
Ongoing since October 2019
Audiovisual performance "Golden Diskó Ship". Live electronics for Bryndís Björnsdóttir's performance COM POST BUST.
Video installation "Clouds of Neon Limelight".
48h Neukölln, June 2019, Berlin
Music for the dance piece by Lea Martini and Dennis Deter.
Performed at Fabrik, Potsdam, Kampnagel, Hamburg and HochX, Munich in spring 2019
Remix of the track "Theme For A Room [feat. Museum Of No Art" by Nuremberg based producer Philipp Roth aka Red On.
Released digitally and on tape by Noorden Records, February 2019, Cologne
Audiovisual group performance and site specific installation developed during the residency Partizip Präsens at ausland Berlin.
An experimental collaboration of Theresa Stroetges (Viola, Synth, Voice), Loretta Myr (Samples, Keytar, Noisebastard), Jana Sotzko (Drums, Trombone, Synth), Janine Eisenächer (Sounding Objects), DuChamp (Guitar, Organ), Tellavision (Loops, Synth), Helen Heß (Virtual
Voices, Electronics), Katorina Pling (Video,
Installation), Robert Brandes (Visuals and
Objects), Or Safati (Projection Mapping),
Mo/Aiko Okamoto (Visuals).
February 2019, ausland, Berlin
Music for the short film by Dan Dansen.
September 2019, Berlin
Commissioned work for "KLIRRRRR - Festival für queere Konfliktkulturen". Cover versions of radical feminist protest songs from the 70s (The Flying Lesbians, Amore e potere, Frauenoffensive), performed live at the festival.
June 2018, District Berlin
Radio Magazine as part of the exhibition by The Many Headed Hydra.
Released on tape and performed live at Nida Art Colony, Lithuania, and District Berlin, Germany, August and September 2017
PEARLS - PROVIDERS - PROGRESS
Live music and sound design for Steinunn Gunnlaugsdóttir's performance at Werkhalle Wiesenburg, Berlin, August 2017, and at Circle 1
Gallery, Berlin, February 2018
Sound performance with Thessia Machado and her light and sound installation "telix" as a
part of "Die Reihe. Beiträge zu auditiver Kunst und Kultur"
SomoS Gallery, Berlin, May 2017
Music and sound design for Alicia Frankovich's video installation "OUTSIDE BEFORE BEYOND"
Kunstverein für die Rheinlande und Westfalen, Düsseldorf, April 2017
Multichannel sound and light installation based on Anton Bruckner's motet Locus Iste, in collaboration with Jana Sotzko and Helen Heß
Festival des Hörens, Laeiszhalle Hamburg, December 2016
Music and sound design for Achim Lengerer's installation "Proben zu Peter Weiss/The Trotzky Rehearsals" as part of the exhibition "Straub/Huillet/Weiss. Fremdheit gegenüber unserer eigenen, vertrauten Welt".
Temporary Gallery Köln and District Berlin, October 2016
Music, sound design and performance for and with Emilia Kokko's Performance "Juhannusaattona 24.6.2016 kello 23.36 Judith Butler käveli ohitseni Ballhaus Berlinissä ja minä jähmetyin ja vain katsoin kuinka hän hetkeä myöhemmin leyhytti kuumeisia kasvojaan valkoisella viuhkalla ja minä halusin olla tuo viuhka".
Café Moscot, Helsinki, Finland, August 2016
Music and live sound design for Emilia Kokko's Performance "Kultainen Möykky/The golden blob".
Kunstverein Neukölln, June 2016
Audiovisual performance in collaboration with Emma Haugh.
Studio/Bühne Suse Weber Berlin, April 2016
Composition for a teutonic castle in Swiecie, Poland, in collaboration with Zorka Wollny. Concept, music, sound design and performance.
Swiecie, Poland, July 2016
Music and sound design for Oreet Ashery's video "Bad Company" as a part of the exhibition "Redemption Jokes",
in collaboration with Jana Sotzko.
NGbK Berlin, September 2015
Immersive performed live installation for one person at a time about identity and the sound of your own voice. Masters exhibition of Sound Studies, UdK Berlin.
Kühlhaus Berlin, March 2015
Audiovisual live-poetry performance in collaboration with Christoph Szalay, Roberta Busechian and Antonia Cattan.
Elevate/hoergerede Festival, Graz, AUT, October 2014, and Liebig12 Gallery Berlin, October 2015
Composition and performance for Malzfabrik Berlin by Zorka Wollny. Conceptual assistance, sound and performance.
District Berlin, September 2014
Interactive sporty sound installation in the framework of the 3DMIN research project for new musical instruments UdK Berlin.
Roter Salon Berlin, July 2014
Composition for wave field synthesis as part of the exhibition "Creative approaches to wave field synthesis" at AES Convention Berlin
Music and sound design for Moana Vonstadl's animated short film "Die
authentische Phase", commissioned by ORF. In collaboration with Jana Sotzko, January 2014
Experimental Sounddesign for the Documentary by Dan Dansen
Sound piece "Zombie fish" for the installation "Hit List" at Institute of Contempory Art Newton (ICAN), in collaboration with Jana Sotzko
2013, Sydney, AUS
Composition and live sound design for Andrea Krohn's choreography "WVWVWVWVWVWVWVE" in collaboration with
Helen Heß. December 2013
Participatory sound and cake performance at Gallery 364 Leipzig, in collaboration with Jana Sotzko. December
Experimental Sound Design for the documentary film by Dan Dansen.
Berlin, September 2013
Video installation at Institute of Contempory Art Newton (ICAN), Sydney, AUS. Curated by Scott Donovan and Alex Gawronski. June 2013
VISUAL AID is a cross-disciplinary exhibition and performance project on
unconventional forms of musical notation, which constitutes the fourth and final part of the series (Dis)playing papers, hours and constellations.
Co-Curation and live music performance, in collaboration with Suza Husse and Jana Sotzko.
April-May 2013, District Berlin